The Gunfighter and the Nation State Part II

“When The Legend Becomes Fact, Print The Legend”

Andre Forget

Westerns are origin stories. Myths about taming the frontier, they narrate the first encounters between colonists and indigenous peoples, the lawless feudal era of the cowboy and the cattle baron, and the arrival of law, order, and the state. A couple of weeks ago, I suggested that Shane shows how order is built on a mythic violence which sits uncomfortably between the feudal age and the age of the nation; it uses feudal means to undo the feudal order. This violence, however, is kept at arm’s length from the peaceful community that benefits from it. John Ford’s 1962 film The Man Who Shot Liberty Valance takes up a lot of the same questions but ends on a significantly more cynical note. Continue reading

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