William Morris and the Politics of Artistic Production

Jonathan Dyck

In 1889, William Morris delivered a lecture titled “The Arts and Crafts of Today,” which addressed the degraded state of labour and commerce in industrial England by working through the question of art’s purpose in everyday life. Not simply an indictment of late Victorian society, Morris’s lecture functions as a manifesto, justifying his radical position to an audience of artists while laying out the philosophy of the Arts and Crafts movement. Like the manifestos of later design movements, such as The Bauhaus, Morris’s lecture assumes a close relationship between what he calls the “applied arts” and the complex form of society at large. For both movements, the design manifesto is a polemical call to all creative labourers to recognize their collective capacity to overturn and transform the status quo; it is an attempt to articulate an alternative vision of society in which art does not simply mask reality but actually improves it. Continue reading

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Where Your Treasure Is

An Ash Wednesday Sermon

Jeffrey Metcalfe

Where your treasure is, there your heart will be also.

-Jesus Christ

It’s a true, but a challenging statement. Its true, because while we may not put our money where our mouth is, we do put our money where our hearts are. Its challenging because we need only look to where we put our treasure to find where we’ve placed our values. Indeed, as a country, as a church, and in our families, we need only look at our budgets to discover what we actually believe. Continue reading

A Recipe for Revolution

Jeffrey Metcalfe

“This child is destined for the falling and the rising of many in Israel, and to be a sign that will be opposed so that the inner thoughts of many will be revealed—and a sword will pierce your own soul too.”

–Luke 2:34-35

This afternoon, I came to the conclusion that I needed to overthrow the state, and so I baked a loaf of bread. It seems like an odd response doesn’t it? What does yeast rising have to do with revolution, and perhaps more to the point: why would I need to overthrow the state in the first place? The simple answer is that I’ve come to realize how deeply my imagination as a Christian has been held captive by the state. Continue reading

A Sermon on Holy Innocents

Maggie Helwig

“And he sent and killed all the children in and around Bethlehem, who were two years old or under” (Matthew 2:16).

We do not know, of course, if this was a historical incident. That’s a debate that’s not going to be settled. But I can easily treat it as historical because, if it did not happen at that exact time and place, it has happened a thousand other times. A routine atrocity in an unimportant country, recorded by almost no one; and if I named for you now Kraras or Fence of Legs or the Markale marketplace, these words would have no meaning for most or all of you, these small massacres in distant lands, as unremembered by the world in general as a slaughter of children in a corner of the empire was by the empire’s own chroniclers.

It is a part of the normal operations of power. But even worse, in this case, it is the direct result of the coming into the world of the Incarnate Word. Continue reading